Grunge and brutalist prints.
Distressed, high-contrast monochrome A3 editions — the visual language of David Carson, Neville Brody, Christopher Wool and Anselm Kiefer, printed to archival standard.
Noise as material
Grain, misregistration, torn type and photocopy collapse were never accidents in this tradition — they were the subject. Carson broke the grid in Ray Gun; Brody rebuilt typography as raw signal; Wool turned the failed stencil into painting. The Andreash editions extend that logic through photographic layering rather than paint.
Built rough, printed precisely
Each work is composed from photography, montage and layered digital process, then output at A3 on 300 g/m² acid-free cotton with pigment inks. Editions of one to five, signed, numbered, closed on sale. The chaos is in the image, never in the production.