Affordable contemporary art — done properly.
Signed A3 editions by Andreash from roughly €200 to €520. A serious first step into the same collector language spoken around Tracey Emin, David Shrigley, Damien Hirst, Yoshitomo Nara and KAWS.
Affordable does not mean disposable
The market taught this the hard way. Tracey Emin's early signed prints traded for a few hundred pounds and now sit in institutional collections. David Shrigley's editions moved from student-budget acquisitions to Tate wall. KAWS and Yoshitomo Nara both re-priced twentyfold inside a decade. The pattern is not luck — it is signed, numbered, closed editions from a coherent practice.
What you get
- 01Signed and numbered. From a private register — not open-edition merchandise.
- 02Archival A3. 300 g/m² cotton paper, pigment inks — rated for a century of display.
- 03Editions of 1–5. Closed permanently once released.
- 04Direct from the artist. No gallery markup, no secondary-market spread.
Where to start
Pick the piece that will not leave your head after 48 hours. That is the only heuristic that has ever mattered — used by Charles Saatchi, repeated by every serious contemporary collector since. Everything else — provenance, edition size, archival quality — the Andreash register already handles.